‘Sunrise: A Song of Two Humans’ – F. W. Murnau – (With actors George O’Brien and Janet Gaynor)
“Silent films had a language of their own;
they aimed for the emotions, not the mind,
and the best of them wanted to be,
not a story, but an experience.”
~ Roger Ebert on ‘Sunrise’ (film critic)
Life is relationship. No matter what. We are always engaged in a relationship with an apparent ‘other’. Should we be left alone in the world, with no other humans, life would remain an encounter with the other — any other being — be it the sun, the wind, the rugged stones on our path, or our very own self. Our life is always a song of apparent duality. And the success of any relationship, which is the coming of intimacy and love in our life, is always the road taken from apparent separation to the realisation of our shared being. Life is one. But that needs to be fully seen.
I was put on these tracks by watching the 1927 silent movie ‘Sunrise: A Song of Two Humans’ by German director F. W. Murnau. The film is a splendour. Although an overly simple love story, the title suggests that its lessons are of an universal nature. And the finesse and poetry of its making renders it as an archetypical manual for everything that a relationship can bring or teach. The story can be summarised in a few lines: a country man has become weary of his relationship with his wife, and has started a love affair with a passing woman from the city. His new lover convinces him to kill his wife while being on a boat trip on the lake, a plan which the man, overtaken by remorse, fails to execute at the very last moment. The rest of the film is the story of his winning his wife’s forgiveness and the return to a dazzling feeling of love and happiness between the two.