The Fate of Me

‘Ink Landscape’ – Kanō Motonobu, 16th AD (Art Institute of Chicago) – Wikimedia

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I saw you rise so many times,
Invade the space of my being,
To occupy my whole presence,
Take everything, leaving nothing,
Not a corner of emptiness
Where I could recognise my self.

I saw you rise so many times
Acquire my whole, my essential
To leave me lost, truly yearning
For that silence now filled by you;
To leave me sad, truly longing
For the one here just before you.

I saw you rise so many times
T’was impudent, how did you dare
Burying light in obscurity,
Dimming joy with your avid search,
Thinking it right to lead my life
When you are but a malign ghost.

But more than once, you did vanish
I’ll tell you why, listen to this:
I found you had no consistence
The reason is: you are not found
Your reality imagined
Your existence: your insistence.

Look at yourself, you are not here
You’re not the one you claim to be
You’re just a thought that’s tossed about
In an ocean of presence;
That sea is not a place to be
When you are but a lump of salt.

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Text by Alain Joly

Painting by Kanō Motonobu (1476–1559)

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Website:
Kanō Motonobu (Wikipedia)

Suggestion:
Voices from Silence (other poems from the blog)

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Wei Wu Wei

‘Hotei in a Boat’ – Hakuin Ekaku (1686-1769) – Yale University Art Gallery – Wikimedia

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When could I have been born,
I who am the conceiver of time itself?
Where could I live,
I who conceive the space wherein all things extend?
How could I die,
I who conceive the birth, life, and death of all things,
I who, conceiving, cannot be conceived?

~ Wei Wu Wei (Posthumous Pieces)

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You may have sometime come across the name ‘Wei Wu Wei’ while reading or researching, and you have thought that it referred to an exotic and remote Zen master of ancient China. Well, you couldn’t have been more wrong. For this is the pen name of a British aristocrat and writer of the last century. His name: Terence James Stannus Gray, who was born in 1895 and died in 1986, the very same years as J. Krishnamurti. ‘Wu Wei’ is nevertheless a Taoist term which literally means ‘effortless action’ or ‘action that is non-action’, and was chosen by the author for the meaning it carries. Regarding his name, the writer explains in the preface of his book ‘Fingers Pointing Towards The Moon’: “What is a name? […] Is not a name essentially — the name of an ego? But the Self, the Principal, the I-Reality has no name. […] If the nameless builders of the Taj Mahal, of Chartres, of Rheims, of a hundred cathedral symphonies, knew that — and avoided the solecism of attributing to their own egos the works that were created through their instrumentality — may not even a jotter-down of passing metaphysical notions know it also?” He continued: “But in case you should still wonder who is responsible for this book I do not know how to do better than to inscribe the words

WEI WU WEI

為無為

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Why are you unhappy?
Because 99.9 per cent
Of everything you think,
And of everything you do,
Is for yourself —
And there isn’t one
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~ (‘Ask The Awakened’)

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Discover the rich and insightful nondual writing of Wei Wu Wei… (READ MORE…)

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The Substance of God

‘Neubrandenburg’ – Caspar David Friedrich, 1816 – WikiArt

How can we account for the beauty of the world? Because in spite of everything that is happening within and without, and afflicts us, leaves us distressed, the world bears at its core an intrinsic perfection. It’s not difficult to see. You only have to stand back, to release the grip, be less involved. To look afresh at the blue sky above your head. To see that a blue sky is an extraordinary thing. As is a tree, and the song of the wind in its foliage. As is a cloud, and the sudden tapping of the millions of drops that come to wet the land. As is any human endeavour, and the skill it takes to play a symphony from Beethoven. As is a chair, a blanket, a paper bin, anything that exists. Existence is a baffling thing. It is the core of the matter — that anything exists — and to understand it is to crack the nature of reality. What is the secret hidden behind any appearance? How can a form acquire beauty, a movement express harmony, a shape provoke love? And more interesting even, how is beauty made ugliness, harmony turned into disorder, love transformed into enmity, perfection changed into chaos? What are the workings behind it all?

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A meditation on the beauty and substance of the world… (READ MORE…)

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