A Plea Answered

For those of us who complain that god never answers their plea, let me tell you something. God is more subtle than that. He never was an entity, with a voice that could speak. She never even was a kind of object, however subtle, that could soothe at the level you are expecting, through the granting of a favour, the offering of a reward. Neither could god curse you with punishment. He doesn’t take sides. She never takes umbrage. God grants only one thing: Its glorious, infinite, loving presence. The lack of answer, the absence of favour, the withdrawing of reward, the malediction of punishment… it’s all on your side. Because you have blinded yourself to its eternal smile at you. Because you have covered your ears lest you might hear its constant whisper at you. For you were too busy thinking, pleading, complaining, expecting, reaching for an outside object or presence, that could give you, forgive you. For you were too engrossed in overwhelming feelings, worries, disputes, about yourself and others, and had definite certitudes about so many things, and such endlessly running opinions and preferences. In other words, you have isolated yourself, separated yourself, crippled yourself, and as a result made god silent and powerless — an empty void where it isn’t.

But god is never silent, if you turn towards where it lives. Its subtle presence at the core of your being is speaking endlessly, calling you with all the patience required. And that presence is never powerless, for it holds you eternally in its sweet embrace, as you can notice if you look at your own being with the same passion. And please don’t forget that your suffering is god’s answer to you. It is her calling disguised, what you had expected all along, the present that you didn’t bother to wrap with golden ribbons. And god also made you a favour. He came to live right at the heart of your being, so that you could never be at a distance from him; so that you could feel him as your own, ever-present self. And by the way, god wasn’t holding back anything. She is generous, offering you the constant reward of peace and happiness. Only you have to feel it in your heart, and not rush out for an auspicious circumstance or a desired object. And if you have ever felt the pang of a curse, understand that this indeed was of your own making. For you have cut yourself from god’s divine hold, and in doing so have lessened the abundance of its bounties. You have made yourself a lone traveller. You have shut your heart from the fountain of love that is steadily flowing as your own, ever-present, precious being, which is god’s being too. God has no power to curse, but you sure have, until you get the courage to open yourself to the infinite presence that sits in and as your self. That simple feeling of being, that all powerful god eternally crowing your self, will block all possible entry for a curse, and keep you safe.

And now for one last, precious recommendation: To live with the presence of god in your heart not only will protect you from your own talent at cursing yourself, but will open wide the doors of perception for the flooding of beauty. It will make your life a torrent of peace. For god will shower on you gifts after gifts of its benevolent presence. And he will grant you all possible rewards, all answers, all favours, clearing your path towards the blessing of immortal life, of unconditional love and objectless happiness. God was never disingenuous. She never was the void or absence that you took her to be. He/she is a presence so full that you could be his or hers for life eternal. Some have called it the Kingdom of Heaven, some Nirvana. And what blessing and surprise it is to find it right here, right now, as your very own self, veiled only by the plea of not having it, of wanting it, hoping for it, looking for it. Remember: you are not a self in your own right. Your self is nothing but god’s presence espousing you. For you share the same being, as the being of everything and everyone. But I won’t say more. Now you have your answer.

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Text and photo by Alain Joly

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Other ‘Ways of Being’ from the blog…

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The Craving

Why do you keep falling, my heart
To all that impart an immediate pleasure
Truth is not an easy catch that can be met
In the petty, neither one that you can grab
In the temporal and all its passing hues
There is more to it than mock or parody

You have to only stay where you are, to
Not take that first step ahead, allured by
The fire of thoughts, elated by feelings
Be only so present so as to sight
A calm within a space, a space within a calm
That nothing can stir or move or shake

And you shall stay there, not concerned
By all that in you shout and scream
By all these thieves that claim your fall
And beg in the usual, the false order restored
A peace so cheap as to be no peace at all
You know what an imitation of truth is

This is an endeavour of unbounded courage
You need some heart to inhabit your heart
You’ll be surrounded by liars and impostors
All these preachers of facile commands
They too dwell where you truly dwell
They go only by effort or indulgence

Presence is a magnetic field that attracts
Always only itself. No need for exertion
No need to launch a campaign for truth
Desire is their last treacherous injunction
So repulsive when it comes to being home
You are already where you crave to be

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Text and photo by Alain Joly

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Suggestion:
Voices from Silence (other poems from the blog)

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A Room with a View

‘A Room with a View’ – James Ivory, 1985

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A crystalline voice broke amidst the many murmurs of tourists, between the walls of Roskilde cathedral. A young woman had come to practice her singing here, accompanied by a pianist. I recognised the song immediately. It was Puccini‘s aria ‘O mio babbino caro’, and it sent a wave of delight through me. I recognised it because it is the opening piece and musical signature of the film ‘A Room with a View’, which I have just seen recently. A most curious movie really. A light British romance made in 1985 by the American director James Ivory, based on the 1908 novel of the same name by E. M. Forster. But the film is more than it seems. I encourage you to watch it, for I have a theory about it. The film — and therefore the novel — has been secretly made as an allegory for the seeking of truth.

The film opens up with Lucy arriving at the Pensione Pertolini in Florence, with her cousin and stiff chaperone Charlotte. This is a place where many British citizens come to spend their holidays. We are at the beginning of 1900s, with upper-middle-class characters steeped in the repressive culture and morals of Edwardian England. They come here to have a taste of the more wild and unconventional atmosphere of Italy, along with the beauty of its culture and landscapes. Of course, this film is not specifically about a spiritual search. It is a love story. But not frankly so. It lingers on the edge, giving us some food for thought. Behind the conventional clothing of a delightful romantic romp, it leaves a whole collection of little pebbles in its trail that points to a reflection on life that is both profound and open to interpretations.

[…]

A playful journey into James Ivory’s movie ‘A Room with a View’… (READ MORE…)

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Bhakti, the Song of Love

Don’t forget love;
it will bring all the madness you need 
to unfurl yourself across the universe
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~ Meera Bai (1498-1546)

 

I intend here to continue exploring the three different pathways towards realising our true nature. I have some time ago given my attention to Jñāna, which in the Indian tradition is the name given to the means of attaining truth through the investigative qualities of the mind, which are mostly thinking and the power of discrimination. The two other paths towards realisation are the tantric path, which involves the senses, and the path of love, which involves feeling, and is the subject of this essay.

The path of knowledge requires a certain steadiness, orderliness, being thorough, constant. But even somebody set on this logical path of knowledge will be exposed to ineffable, timeless moments of pure love. Some people are best suited to a more loving, encompassing pathway, that would allow them to be just as they are, with all their confusion and overwhelming feelings. I can be the me that I am, as long as I am too this loving, embracing presence to which I can offer myself. In love there is no theory, no guidelines to follow. And it is not a surprise to find this expression of truth as one of the means to the realisation of our true self. This pathway of love has been called ‘Bhakti’ in the tradition of India. All the Indian faith, at least in its more popular expression, is of a devotional nature, and has elevated this simple love for god or truth to the rank of art. That seemed to me a good starting point to embark on this path of devotion, which the Śivānanda Laharī (verse 61) describes as: “The way needle seeks magnet, the way creeper seeks tree, the way river unites with ocean and the way the mind seeks the lotus feet of Śiva.”

An exploration into Bhakti, the path of love and devotion (READ MORE…)

 

On Labyrinths, Grace and the Via Creativa

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Labyrinth of Chartres Cathedral

Miriam Louisa Simons is a retired artist and educator, and the creator of several excellent blogs on the non-dual journey. I’m happy that she is the first friend invited to contribute here. Out of a lifelong dedication to art and spiritual inquiry, she invites us to delve into the image of the Labyrinth, uncover its connections with our life, with grace, until ‘we arrive naked at the freedom that was always there’…

 

 

 

Do you think I know what I’m doing?
That for one breath or half-breath I belong to myself?
As much as a pen knows what it’s writing,
or the ball can guess where it’s going next.

~ Rumi

 

The Labyrinth is a familiar symbol. Its enigmatic presence has left footprints that fade back into the beginning of the human story. Its origins and its purpose have been rich fodder for research and speculation.

I don’t pretend to know the truth of its tale, but see the archetypal labyrinth as apt visual shorthand for the map of a life, and that’s how its symbolism is used in this little essay.

The many lanes of the Labyrinth are in fact only one long path that winds and twists and turns back on itself as it explores all the territory of a life before arriving at its Heart.

By ‘Heart’ I mean the natural essence of the ‘walker’ of the Labyrinth – beyond both conception and perception – the unknowable and ineffable awareness we nevertheless recognize as our changeless Being.

An essay from Miriam Louisa Simons (READ MORE…)