Creep

‘Radiohead @ TD Garden (Boston, MA)’ – by Kenny Sun – Wikimedia

I wonder if you have ever seen the face of love, what loving indifference is? I have some days ago, while watching a concert by Radiohead on the internet. It was during the band’s most celebrated hit, called ‘Creep’. This song is the stage of an unrequited love. But I suggest it goes further than that. It is the story of a rage, of not being enough. We all have lived through expectations that were turned down. We all have made efforts that didn’t pay off. We all want to feel special, to belong, to be at peace. We abhor being behind ourself, faking our contentment and control. So we all have known this feeling of being a ‘creep’, or at least of not being good enough. That’s why we live so hectically, constantly looking for better and more, wanting to feel complete, enough at last. Maybe that’s why the song happened to be such a hit, beyond its obvious musical qualities: it is like an echo of the secret battle we are engaged in, of our quiet desperation, and of our repeated attempt to put an end to our suffering.

I was watching the song being played, the singer yelling its rage amongst the gnashing saturated blasts coming from Jonny Greenwood’s guitar, lights illuminating the stage like a flash of lightning would. Then it surprised me. For just a few seconds, the camera caught in the public a young woman whose attitude was quiet, mildly concerned, but deeply tuned to herself. Everybody around her was involved, shouting, dancing, taking their share, drawing their identity and happiness from the vibes of the music. But she was not. Didn’t need to. Her need was to be quiet. Peace was her home. Beauty was where she was, and where she had landed on. She was tasting her being. She was taking it all in, but with a peaceful, loving indifference. For her, separation had been slain, and she had become a silent watcher, a taster of being, a madonna.

There was no need for her to dance and shout the lyrics of her favourite Radiohead song, for she dwelled in silence. It was all taking place somewhere else, in a placeless place where time was nowhere to been seen or experienced. All our objects of adoration are never the point, are never the goal. They are the means to feel and taste in ourself this most profound sense of peaceful being that is always here, always now with us, and that we miss in reason of our obsessive attachment to objects, with their derived outcomes and rewards. When the love or enthusiasm for an object — a song, a piece of art, a football match — is brought to its paroxysm, we merge with it, and in this merging forget our own person. This forgetting is the stage set for a meeting with ourself, for an encounter with our own silent being. We feel what we could call, a paradoxical serenity. So the pleasure of the senses is never the object of our desire, and never what our seeking is about. We are after something more elusive, the harder catch that is our own being. We long for this profound sense of peace and security that lives there as our identity. This serenity is not dependent on circumstances, but lies naturally in and as our most intimate being. This pure being is our true identity, and is in fact what we are really seeking behind all our pleasure oriented pursuits. Pleasure can never be a match to being. Pleasure is but the child of separation, while being is the realisation of our deepest identity as love, and its expression as oneness.

Love takes over experience. Love dominates experience, it brings it down to its knees, reveals what it is made of. Experience appears to be of secondary importance, not because it is not important, but because its importance lies in the light that shines on it and gives it its reality and meaning. We cease to be personally involved. We are just present, and this presence is our most precious and efficient involvement. We are indifferent not because we do not care, but in reason of the preeminence of love in our heart, with its acute, unfocused awareness. Love responds to the whole. There is no personal self present, that feels separate and insecure, fearing and seeking. That one is absent, leaving all the place to the quality of simply being, with no preferences in it, but with a total, impersonal, peaceful engagement. This peace is the most profound signature or identity contained in every experience that we go through. To recognise the nature of ourself as peaceful being, is to recognise the nature of experience as that one same peaceful being. We will never have to complain: ‘I wish I was special’. Never have to say: ‘I don’t belong here’. In love, there is no being a creep.

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Text by Alain Joly

Photo by Kenny Sun (Wikimedia)

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Website:
Creep (Radiohead Song) (Wikipedia)

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The Formula of Life

‘Rocks and sea’ – Paul Gauguin, 1886 – WikiArt

There is something mathematical about the spiritual life. You need to get the formula right, which is simply to recognise being as your one only identity. Simply being, with no addition to it. Concentrated being. If you cannot recognise yourself as that, then life will bounce back at you in endless, nasty, different ways. You will be made into somebody frail, vulnerable, suffering. Out of your failure at being who you truly are, you will draw an idea of who you are, a belief in being a separate entity, identifying yourself with your body-mind. This invented self is a diminution of your real identity. It has, inscribed in its very making, an imbalance, a lack. You will feel small, incomplete, at the mercy of beliefs and images, assailed by objects. You will be made uncertain, needy, a seeker of your lost identity. So you will then receive many of your experiences as a threat, as something that can hurt you, diminish you. That’s how fear arises, out of incompleteness, when there is a flaw in the equation of being. You are as to say behind yourself, mistaken. You have failed at just being, and are now being this and that. You have lost your anchor for a trip into objectivity. You have exchanged wholeness for separation.

Now you look everywhere frantically for something to complete you, and you find it a hundred times, in a passing object, in a success, an achievement, a bout of luck, a relationship. But these are fake friends that will fail you. For there is nothing here in the objective world that can match being. Dissatisfaction will hover over you again and again, no matter how many objective goals you may set your heart on, and attain. You will never resolve that equation. A flaw will remain, and your life formula will be left empty of meaning, unable to find its resolution. These objects that were your hope for fulfilment will finally come biting at you, for they are but the tricks that you have used as an escape from yourself. They are your being that you have let down, and split apart. They are your means to mend and repair yourself. But to project yourself in objects is to hope, expect, envy, and open the door to endless suffering. This wound is the sign of your incompleteness, the symptom of your failure at recognising your true identity. Every neglect or rejection of your true nature creates openings where experience will come and stand in front of you as something to be afraid of, or to desire. So you are never safe, never alone. It all comes back to you as a mirror of your own insufficiency.

Remember that you will attract to yourself everything that you cannot hold as your own, and understand. To be at peace in this life is a very simple matter. It lies in only one experience, which is the experience of being. Being is your universal health insurance. Being is your completeness, and therefore your well-being. If you don’t own in and as yourself your well-being, if you fail to occupy the totality of your experience — finding safety there — then you will be assailed by life. Experience will send its soldiers at you, which are but all that you cannot hold or recognise as being your own being. Hurt, confusion, fear, misunderstanding will become your usual, well-rehearsed environment, that you will accept as normal. They will become the weapons that turn against you every time you don’t fully integrate experience as the very blood and bones of infinite being. So don’t let experiences down, to live on their own, lost, clothed in separation and enmity. The enmity of experience is of your own making. You are responsible for what hits you or heals you. And you have in yourself, as yourself, the remedy for every hurt or suffering that overcome you. You have in and as your own being the ability to feel whole, complete, self-satisfied. There lies your natural competence at living. This is how you have experience always on your side, like a friend that you never fail to embrace. This is how you complete the formula of life — through clarity and brightness of being.

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Text by Alain Joly

Painting by Paul Gauguin (1848-1903)

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Website:
Paul Gauguin (Wikipedia)

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Twisted Rainbow

‘Hope’ (detail) – George Frederick Watts, 1886 – WikiArt

Unhappiness is a strange thing, for against all appearances, and under serious investigation, it is not really found. We are making it up as we go along. In fact, there is no such thing as an absence of happiness. Yet we are nurturing this absence with great consistency, designing our so called unhappiness with care, through our thoughts, our memory, our attachments, our stubborn persistence. But only try to experience its effects outside your thoughts and feelings, in the absence of your mind, and you’d have to confess that you can’t find here anything like a misery. The reason is: unhappiness is not a thing in itself. It is veiled happiness. It is the covering up of your innate peace. It is past residues and future expectations tossing the tranquillity of the now. But all such disturbances, discomforts, or distresses, are always only temporary events, passing weathers distracting us from what is always here, always faithful, always to be trusted: the peace contained in simply being. This peace is in fact the very making and backbone of our lives, its solid background. It could never leave you no matter how hard you may try. Its not being felt is a form of snobbery. You have missed your innate joy in reason of your not looking in the right place. You have neglected your true, natural being for wanting to be somebody. You have been scorning yourself out of vainglory. In fact, unhappiness is but the simple mourning of a loved one who is missed: our true self. It is but a distraction from the boredom of our ignorance. Or a warning for a wrong turn taken.

Unhappiness is not found in physical pain, or in the natural grief following a loss. These are all compatible with happiness, as is a shared, compassionate sorrow. These are wise and healthy responses to life situations and challenges. Unhappiness is of a different nature. It is more like a habit or an indulgence. Often, we would rather be unhappy than shatter a well-rehearsed idea of ourself, in which we have invested our most cherished identity. Unhappiness is also the result of a fallacy, and a form of delusion. It is a shadow which we nourish through our belief in being a person caught between seeking and resisting, and the reward of fulfilment. Unhappiness is only as real as our limited self is. One will follow the other both in death and in birth. So really, unhappiness is a self-inflicted pain. In a way, we could say that it is a sin. It is ourself being driven away from our happy, forgotten nature, and bound to the suffering self which we have identified ourself with. It is our twisted rainbow in the sky of ignorance, that appears naturally without being truly there. It is created by the rain of all our renouncements, of our constant search for security and approval, through accumulation and avoidance. So next time you meet some measure of unhappiness in your life, don’t believe it. Don’t be caught up and allured by its convincing appearance. See through it until you find its referent. See that unhappiness is not real as affliction or suffering. It only exists as the sum of all that hinders the happiness which is the nature of your self as being. Your misery may in fact only be a passing, unassuming thought, maybe an innocent, unchallenged belief, or just a feeling hovering about, which you are taking too seriously. Not very much really. Hardly enough to send you far and away from the delight of simply being.

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Text by Alain Joly

Painting by George Frederic Watts (1817-1904)

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Websites:
George Frederic Watts ( Wikipedia)
Hope (Watts) (Wikipedia)

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Divine Presence

‘Dance at Moulin de la Galette’ – Pierre-Auguste Renoir, 1876 – WikiArt

You know sometime truth has its ways and character. You may be quietly sitting at home in silence, listening to some wise teaching. You may want to feel this unconditioned essence of yourself with your eyes closed, within — oh so within! — and feel enclosed in your beautiful, limitless, eternal self. But that appears to be difficult, not quite the day for it, not quite where you want to be. The ‘I am’ door is making a squeaky sound. Today is to see the face of god in all and everything, out in the world. Today is for the car horns and the smell of exhaust fumes. Today is for being in love with the cigarette butt lying in the gutter at the bus stop, and seeing that there is no more, no less here of presence than there is in the melodious swaying of trees in the summer breeze. Today is to feel my essence borrowed by the facades of buildings and by a nearby, wandering canal. It is to feel my own being shared with all passing strangers — oh, so many friends everywhere! — and with an inquisitive pigeon, or a happy dog coming along. Today is for being a seer and a hearer of beauty. It is for a wedding with truth, in the church of experience. It is for the world marrying its presence with freedom and ease, to the presence of my self. Today is to feel with my hands and eyes and ears, that the whole temple of life, from the hard matter-like objects to the thin air caressing my cheeks, and to the pregnancy of sounds — all that is produced by the senses — is but empty of its own substance, and full of the silent, pristine, ethereal presence of the divine.

Another day may present you with something entirely different. You may find yourself wearied by the world out there and crossed with experience. You may want to be at home, simply at home, and take a long journey within, to be taken into the purity contained in being only being. Today is for sitting quietly and for closing your eyes. It is for the feeling of being — unmixed, unadulterated, whole and held within. It is for the seeing of my interior, where thoughts now come one after the other, to die of their natural death. It is to feel that there is here a space which is ready to welcome my all, and has the power to look and to embrace. Today is for letting my feelings melt in the safe harbour of my being, and for marrying my sensations to the infinite space that contains them. It is wholly for the wondrous feeling that I am. Alone. Pregnant. The one that brings all identifications back to their original womb of presence. Today is to be without characteristics of any sort, and to bathe in emptiness and anonymity. It is for the caress of being, and for the never ending gaze towards infinity. Today is for the merriness in my heart, at the wedding of my self with the eternal now. It is to be showered with the knowing of my reality, and to have my being anointed with the peace contained within it. Today is for a honeymoon with my loving essence, and for a sacred communion with the nameless. It is to feel my own substance full of the silent, pristine, ethereal presence of the divine.

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Text by Alain Joly

Painting by Pierre-Auguste Renoir (1841-1919)

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Website:
– Pierre-Auguste Renoir (Wikipedia)

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Perfect Days

’Perfect Days’ – by Wim Wenders (with Koji Yakusho)

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All my films deal with how to live.”
~ Wim Wenders

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Why do we watch a movie or enjoy any piece of art but for the joy, happiness, or relief we derive from such activity? Well, sometimes we use a movie not so much to feel, but rather to stop feeling. We want to be alleviated from our sense of boredom, or be distracted from our constant worry, or have the lowest ambition to be rewarded with pleasure, plain simple pleasure which, if not delivered, will make us move on to something else. Film as an art form is ambiguous, for it has in itself an entertaining power which makes it the prey to our most suspect desires. Well, Wim Wenders, in this movie, wasn’t going to give way to that ubiquitous trap and fall. With ‘Perfect Days’, he made a movie in which there is no desire to be had, which offers no suspense, no excitement, no resolution of any kind, but from which you would never want to move away. A movie that describes the quiet, plain, orderly living of a man whose job is to clean public toilets in Tokyo.

Hirayama lives each and everyday as if it was a perfect day. For him, there is no possibility of failure in life. And he makes sure that boredom is an impossibility. So he cares. Hirayama cares about everything he does, and seems to be profoundly related to his modest home, to his morning toilet, and to the watering of his plants. He does what he has to do, with no judgment or resistance. He doesn’t mind. He feels his inner freedom. He has everything he needs, so he smiles at life and life smiles back at him. He breathes when he steps outside and looks at the sky as for the first time, the wonder of it all. Then he buys himself a can of coffee from a local vending machine, opens his van, sits, drinks a sip, chooses a song from a bunch of cassette tapes, lights the engine, drives, and listens to ‘The House of the Rising Sun’ by The Animals. For that’s where he is now, in the house of the rising sun, going to his work through the sprawling suburbs of Tokyo’s morning, undisturbed, confident, present.

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A reflection on the film ‘Perfect Days’ by Wim Wenders… (READ MORE…)

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Finding Relationship

‘Hazy Relationship’ – Rinaldo Wurglitsch – Wikimedia

If you think you are having a relationship with another, you’re telling yourself a story. Literally. For this is what ‘relationship’ truly means: ‘to recount’, ’to relate’, ‘to refer’. More precisely, it means that something has been ‘brought back’, or ‘carried back’. So relationship is not an innocuous word. It expresses something fundamental, that for our relationships to be, we have to conjure up the past, or some kind of knowledge. We have to refer to something, to bring back some old memories, some kind of object or image. We have to bring the past into the now. And this is what we have done so far, to attach our relationships to some kind of reference to the past. We have learnt that we cannot be related to another outside the field of memory or images, without making concepts, without burying our relationships into the impasse of storytelling. But in fact, real relationship only takes place when we stop relating anything to another person or object. It is the moment when you are emptying yourself and the apparent other from the past or the future, which is from knowledge.

Relationship as we know it is a process that involves separation. It is an interplay between two entities that have been brought about, fabricated, their reality made into selves out of fear, habit, convenience, or ignorance. These objective, illusory selves are so brittle that they are incapable of making true connection. They are like empty shells with no real substance. The only possible connection between human beings is love. Just think about it for a moment. Why do we hug anybody? Is it because we acknowledge the powerlessness of words and rather mimic our deep connection through the use of body language and silence? How do you convey what cannot be conveyed? What can you do when words come short, other than fall into silence and cancel the space or division between you and another? This annihilation is the act of love itself. It is the acknowledgement of being or ‘isness’ as the only possible connection. It is the truth of ‘what is’ when all conceptualisation has come to an end, when memory has been brought to its knees.

True relationship is the flowering of consciousness. It is the coming to the foreground of the reality that stands behind all apparently existing things. It is the noticing of the reality that is here amongst beings and things — the ciment behind it all, the nature of everything, the deepest connection there is, before which all other connections pale into insignificance. The irony is that you can only have true relationship with another when you don’t make up a relationship, when you don’t bring in any idea or judgement, when you don’t invite fear or former hurts, or condescendence, or even respect for that matter. You must stay silent, empty of qualifications. You have to be who you truly are, to let the natural relationship of love come to the foreground and act itself out through you, and in spite of you. Let it carry you where you are, at the right place of your pure, innocent self where relationship is not anything you do but what you are as being. It is ‘what is there no matter what between beings’ — be they human or otherwise.

So be watchful of what you bring. For the qualities of the world will depend on the quality of your relationships. That’s how a world is being experienced — through relationships. So don’t start with yourself, with a self, any self, and relate from there, from this position of untruthfulness, of deceitfulness. You’d make an insane world. A world where we use, impose, abuse, misuse, mistreat. That’s how wars are launched, through biased relationships and crooked selves. See how fundamental relationship is, how it can make the world a place where hurt, anger, ignorance are being acted out. Or how it can make the world a place of peace, harmony and love.

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Text by Alain Joly

Photo by Rinaldo Wurglitsch

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Suggestion:
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The River of Peace

‘Landscape with a River’ – Aleksey Savrasov – WikiArt

I think it is important to rest in the peace of our being. To gain that position and stay there, rejoice in it, find one’s home in it. To have peace as our perennial identity. To live in its aura. Then we might hang one thing on the door of our sweet cabinet of peace, a notice with these simple words written on it: ‘Do not disturb’. Why should I be disturbed? Should a thought come, out of habit, and visit me, claiming to break my peace for an adventure out of myself, in search of a moment of excitement, a share of happiness, or an elusive instant of peace, then I might gently tell her to stay away. Why should I break my peace for an activity whose only purpose is to find the peace that I already am? Peace then becomes my best manual to navigate through the many demands of life. It will ease my many battles with choice. It will bring my thousand little craving digressions down to a few necessary ones, that will serve me with something that I don’t already have. It will simplify my quest. I won’t have to be so dispersed, grabbing every opportunity to gain a shadow of peace when peace shines for me like a thousand suns. Peace is like a wide, silent, powerful river that follows one destination only: itself. It won’t deviate from its course. It is already made of the many rivulets that come unable to really feed it, of the thousands raindrops that fall and won’t trouble it, of the ocean that it never in a thousand years needs to expect. As for the storms, they only become an opportunity for the river of peace to flood every single thing found on the shore of experience, drowning them in its everlasting course and presence. What would a storm of peace be? What could it be but the sweetest of contamination, where every possible experience is discovered to be peace itself being stirred out of itself, and landing back within itself. This is when you might change the notice on your cabinet’s door and write simply: ‘Come in for peace.’

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Text by Alain Joly

Painting by Alexei Savrasov (1830-1897)

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Website:
Alexei Savrasov (Wikipedia)

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