‘Try to Die Here’

‘Mount Athos and the Monastery of Stavronikétes’ – Edward Lear, 1857 – Wikimedia

When the young Romanian Ioan Gutu arrived at Mount Athos to spend his life there as a monk, he was welcomed by his spiritual Father Elder Ilie with these few words: “Try to die here.” That’s what you do when you arrive at your true self, at your Mount Athos, you don’t form another thought about yourself, you stop looking for an identity, you don’t take refuge again in your mind, in your body. You leave all things, all identities, all beliefs behind. You stop reincarnating as a self separate from the world, for you have found that you were already fully, and wholly incarnated in being, in the selfless reality of your true nature.

In fact, the monastic life is only a metaphor for the truth of your living. You are required to spend your life and die there, because you cannot leave the reality of your own being. A monastery is a place where you reenact reality, where you know no separation, no ‘other’. You are alone, as the word ‘monk’ tells you in its etymology. It is where you know being to be the only place there is, no matter where you are, where you look. You lose your many pursuits and ambitions in being something, someone. You retire where you have never ceased to be, which is in yourself, in your nature, in the truth or reality of your infinite, undivided being. So this is the death that Ilie had in view for Ioan. “Try to die here”. Cease to be other than the One. Stay in your reality as it is, and spend your life there. Don’t leave who you are. Don’t go back to your life of separation, pursuits, hope, envy, comparison. This is prayer.

Wherever you are, try to die there. Don’t pursue your thoughts. Don’t go after anything. Don’t be enthralled by any object on the way. The way is what you are, where you are now, where you have already arrived. To die is to arrive where you are eternally, to stop believing in a destination. But this dying is a strange death. It is not the dying that you may have in mind, for there is no dying to your being. How would the One die? How would you die, if you have already ended all identification, every belief, thought, object, projection about yourself? What is left here that could die, when everything that you believed yourself to be, all your wrongdoings, have naturally, effortlessly ended? Could your essence, your deepest being die? Could that which is not a thing die? What is left here but the immortal, when everything mortal has been left behind?

Maybe there is another hidden twist in Ilie’s words. They could imply: ‘Try to die here if you can!’ You cannot. You cannot die in being, in presence. An appearance can die, but not that in which it appears. So, a monastery is where you can never die, never leave. It is where you leave behind all your many clothings of beliefs and identifications, all your wrongdoings — which is death. It is where you enter into the immortal and infinite nature of your true being — which is life. Everything else can die and follow its natural, mortal course except the One, of which the ‘everything’ is but a movement and a creation with a beginning and an end. So when you arrive at your Mount Athos, try to die here — in the One. When you enter, do your best to leave all your ‘mortals’ outside. Then find out that you can never die. John of the Cross said exactly the same thing upon ascending Mount Carmel:

When thy mind dwells upon anything,
Thou art ceasing to cast thyself upon the All
.”
~ John of the Cross (Ascent of Mount Carmel, I-13:12)

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Text by Alain Joly

Title quote by Schema-Hieromonk Ilie Vulpe (1851–1928)

Quote by John of the Cross (1542-1591)

Painting by Edward Lear (1812-1888)

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Websites:
– Mount Athos (Wikipedia)
– John of the Cross (Wikipedia)
– Edward Lear (Wikipedia)

Suggestion:
– Other ‘Reveries’ from the blog…

Pathways

‘Court in the Alhambra’ – Edwin Lord Weeks, 1876 – WikiArt

The spiritual endeavour is really such good fun. You may happen to experience some suffering in your life and feel entangled — with thoughts rushing into your mind and problems seizing the entirety of yourself. The web of experience is overwhelming you and you can find no space to breathe within. You may then have to have a little conversation with yourself. You may have to disentangle yourself from your stubborn identification with thoughts and with the overcrowding objects born of the senses. That’s when you may present yourself with a simple question like: “What is this part in myself that is aware of my experience?” And so are you now taken amongst the scents of 8th century India, treading its immemorial dust with Shankara, debating with the great Vedantic master. He will show you how to move inwards right at the core of that aware presence in yourself. You will be taken with him to the core of this investigation, which is but the separation of the multiple objects of experience from the one aware, pervading presence of consciousness that is your true identity. That’s when Shankara leaves you with this one infaillible recipe:

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I bow down to that all-knowing One
which is pure Consciousness, all-pervading, all,
residing in the hearts of all beings
and beyond all objects of knowledge.”
~ Shankara (Upadesasahasri, 1:1)

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You may then find yourself sitting in your kitchen, cutting vegetables, with your thoughts suddenly wandering in the 17th century Paris, surrounded by the walls of a Carmelite monastery’s kitchen, chatting along with Brother Lawrence. He might tell you with his big generous smile: you know brother, “nothing is easier than to repeat often in the day these little internal adorations.” That’s when you understand that this investigation can be made into a joyful, often repeated practice, where you go and meet yourself within, have a little chat with this hidden presence, spontaneously, as you gaze into the eyes of a friend. Amongst the frantic sound of knives hitting the wooden board and the fumes of the next meal simmering on the stove, you meet Brother Lawrence’s glance offering you this last precious advice:

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I renounced, for the love of Him,
everything that was not He;
and I began to live as if there was none
but He and I in the world.”
~ Brother Lawrence

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Continue this journey into the investigation of your true nature… (READ MORE…)

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The Mystical Doctor

‘View of Toledo’ – El Greco, 1596 (Metropolitan Museum of Art) – Wikimedia

.During the night of 2 December 1577, in the city of Toledo in central Spain, a priest was imprisoned by a group of Carmelites who were refusing Teresa of Ávila’s reformation projects for their Order. He was jailed for 9 months in a monastery under brutal conditions. He was publicly beaten at least weekly, confined in a cell of barely 10 by 6 feet, with only a little light passing through a hole during the day, with bread and scraps of salt fish for a meal, and no change of clothes. But his burning love of god, along with his unfailing devotion and clarity of mind, allowed the 35 years old friar to compose, along with other shorter poems, the greater part of a sumptuous poem — ‘The Spiritual Canticle’ — about a bride’s search for her beloved. The poem, symbolising the soul seeking union with god, and inspired by the ‘Songs of Songs’ of the Bible, starts with these eloquent lines:.

Where have You hidden Yourself,
And abandoned me in my groaning, O my Beloved?
You have fled like the hart,
Having wounded me.
I ran after You, crying; but You were gone
.”
~ ‘The Spiritual Canticle’

The name of this priest and poet was John of the Cross, a Spanish Catholic mystic born in 1542 near Ávila, to whom we owe some of the brightest exposition of truth in the Christian world. Thomas Merton, who held him in very high esteem, presented him as “one of the greatest as well as the safest mystical theologians God has given to His Church.” John of the Cross was born in a poor family of Jewish converts to Catholicism, and received a simple education. He entered the Carmelite Order, made his First Profession when 21, and met Teresa of Ávila a few years later, of whom he remained a faithful associate all his life. Although not a scholar, his studies in theology and philosophy allowed him to quote abundantly from the Bible, and be acquainted with the work of St. Thomas Aquinas.

Although I have chosen to quote here only from the poem ‘The Spiritual Canticle’, John of the Cross is the author of many other poems, among which the renowned ‘The Dark Night’ — better known as ‘The Dark Night of the Soul’ — and ‘The Ascent of Mount Carmel’. His poems have a rich and powerful imagery and are considered to be masterpieces of Spanish poetry. Although they transpire with beauty and meaning, they are not to be readily understood. This is why John of the Cross wrote precise and extensive commentaries on them, some soaring pieces of teaching whose beauty and profundity is sometimes breathtaking. The most exquisite poetry is here going hand in hand with both a great depth of understanding, and the sweetest accents of devotion. The commentaries were written in prose but are here occasionally presented in a free verse form when they lent themselves to it. I am sharing the 1909 translation made by David Lewis, with corrections by Benedict Zimmerman. Listen with what tender accents of poetry and longing the bride is here conversing with her bridegroom, and how a suffering soul who has tasted of the divine is longing for “the secret chamber of God”, which is nothing but the pure consciousness that is hiding in our innermost being:

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O you soul, then, most beautiful of creatures,
who so long to know the place where your Beloved is,
that you may seek Him, and be united to Him,
you know now that you are yourself
that very tabernacle where He dwells,
the secret chamber of His retreat where He is hidden.
Rejoice, therefore, and exult, because all your good
and all your hope is so near you as to be within you;
or, to speak more accurately, that you can not be without it.”
~ ‘The Spiritual Canticle’, 1.8 (Commentaries)

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Discover the rich poetry and commentaries of John of the Cross… (READ MORE…)

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