The Fleeting Entity

Here is a reminder inspired from the words of Rupert Spira. The ‘fleeting entity’ is an expression he used to describe the separate self. It is necessary and terribly efficient to look into these matters for ourselves. This is why I like to share here the parts of a spiritual teaching that sounds like ‘something to do’, something to experiment and verify for ourselves:

Keep on looking in what way almost all your thoughts, feelings, activities, are based upon the belief that you are going to die… See that underneath all of that is your fear of disappearing…

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Further exploring on the subject:

This imaginary identification of our self with an object, the body, creates the apparently separate self. … This apparently separate self, being made out of an intermittent object, is, by definition, unstable, always threatened with change, decay and disappearance. Hence the fear of disappearance that resides at its heart and its natural corollary, seeking.”
~ Rupert Spira

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Addiction of any sort, be it to inappropriate sexual behaviour, alcohol, drugs, smoking or any milder form of behaviour, almost always has its origin in the belief and, more importantly, the feeling of being a separate, limited, located self.”
~ Rupert Spira

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Fear and seeking manifest in the most innocuous forms of behaviour, the most common of which is unnecessary thinking, the almost constant mental chatter or commentary that most of us are familiar with. This innocuous commentary is the simplest form of the ‘resistance to what is’. It is the repetitive background chatter that ensures that attention is almost always diverted away from the immediacy, intimacy and simplicity of ‘what is’. This is the primal addiction.”
~ Rupert Spira

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Between living and death there is time. Time, that interval between what actually is and something which we call death, of which we are afraid. This interval between life and death is brought about by thought. Of course there is actual dying: the physical organism, through disease, accident, through usage, dies. But there is fear of death and the sorrow of death as a psychological ending. So there is not only the fear of physical dying, but also the fear of losing all the things that one has learnt, the memories, the experiences, the affections, the family, the hopes, the works, the character, all that one has developed, cultivated, nourished – fear of their coming to an end.”
~ J. Krishnamurti

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We cling when we fear that without identifying with something or as something, “myself” will lack substance entirely, rendering ordinary life devoid of meaning. Even a glimmer of the possibility of emptiness and meaninglessness can feel terrifying—like glimpsing a bottomless void into which one might fall forever. And of course we fear death which, although many attempt to hold it at bay with religion and spirituality, will mean the end of the entire self-centered production called ‘my life’.”
~ Robert Saltzman

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It all begins with ‘I, the body’,

That is the root of all suffering,

which our addictions seek to alleviate.”

~ Rupert Spira

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– Artwork by Daniel B. Holeman

Bibliography:
– ‘Presence’, Vol. I & II – by Rupert Spira (Non-Duality Press)
– ‘The First and Last Freedom’ – by J. Krishnamurti – (Rider Publishing)
– ‘The Ten Thousand Things’ – by Robert Saltzman – (Non-Duality Press)

Websites:
Rupert Spira
J. Krishnamurti
Robert Saltzman

Suggestions:
Fleeing to God (other pointers from the blog)
A Day at Brockwood Park (Homage to J. Krishnamurti)

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The Intelligence of Chaos

The first line of this poem: ‘Trust the intelligence of chaos’, is a phrase borrowed from Jeff Foster. I was inspired with these few lines after reading it…

 

Trust the intelligence of chaos

It wants to find its way
Through layers of you

It wants to knock at your door
And make you open your heart

It wants to be protected by you
And let itself melt into your emptiness

It wants to see that it is not a bad guy
To be looked upon and pushed away

It wants to be found inexistant
In the inexistence that you are

It wants to be your friend
Claim your love again and again

It wants you to know that it cares
You only can find its implicit order

 

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Poem by Alain Joly

Photo by Nicki Gwynn-Jones

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6E052D74-E6E9-433B-A389-30CB554DE9B1Nicki Gwynn-Jones is a British photographer currently living in Orkney, a group of islands north of Scotland. She has a passion photographing birds, and the coastal life around, full of a wilderness shaped by wind and water. In 2012 she was awarded a Fellowship in Visual Art by the Royal Photographic Society. 
Nicki’s Websitenicki gwynn-jones

 

Bibliography:
– “In the Dreamtime: A Meditation on the Flowers of Orkney” – by Nicki Gwynn-Jones – (Orcadian Ltd)

Suggestion:
Voices from Silence (other poems from the blog)

 

Hymns to the Dawn

The Rig Veda is the oldest Indian text, a corpus of hymns that have been ‘seen’ by sages, or rishis – these ‘sacred poets’. They are hymns to Agni – the fire, to Soma – the drink of immortality, to the Gods and to nature (the Sun, the Earth, Heaven, Night, Dawn).

I have chosen to share here some hymns dedicated to Dawn. They are simple to understand, full of tender and beautiful imagery. They symbolize the eternal beginnings, the very ones that presided over the birth of the Vedas 3500 years ago. Dawn is the goddess Ushas, the beautiful maiden who infuses life with her beauty and qualities. Shardha Batra writes, “She is the pregnant silence at daybreak, which pulsates with a nebulous promise of fresh hope, dreams to be fulfilled, battles to be fought and conquered. Her gentle yet sure vibrations suffuse the most tired of souls with new potential.”

Also, the dawn symbolises the passage from darkness to light, and was bound to become this strong archetypal figure described by Sri Aurobindo: “Night in the Veda is the symbol of our obscure consciousness full of ignorance in knowledge and of stumblings in will and act, therefore of all evil, sin and suffering; light is the coming of the illuminated higher consciousness which leads to truth and happiness.”

 

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The stars were yielding reluctantly to dawn and there was that peculiar silent expectation when the sun is about to come; the hills were waiting and so were the trees and meadows open in their joy.”
~ J. Krishnamurti

 

Dawn on us with prosperity
O Ushas, Daughter of the Sky.
Dawn with great glory, Lady of the Light.
Dawn Thou with riches bounteous One.

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The radiant Dawns have risen up for glory,
in their white splendour like the waves of waters.
She maketh paths all easy, fair to travel, and, rich,
hath shown herself benign and friendly.

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The goddess Dawn has eternally shown before,
and the bounteous goddess shines here today.
So will she shine in future. The ageless and immortal Dawn
moves on according to her eternal laws.

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Shedding her light on human habitations
this Child of Heaven hath called us from our slumber;
She who at night-time with her argent lustre
hath shown herself e’en through the shades of darkness.

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Arise! the breath, the life, again hath reached us:
darkness hath passed away and light approacheth.
She for the Sun hath left a path to travel
we have arrived where men prolong existence.

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Singing the praises of refulgent Mornings
with his hymn’s web the priest, the poet rises.
Shine then to-day, rich Maid, on him who lauds thee,
shine down on us the gift of life and offspring.

 

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From Rig Veda (1. 92, 113, & 124) – Translation by Ralph T.H. Griffith

Picture by unknown artist ; Mandala by Elsebet Barner

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Bibliography:
– ‘The Rig Veda: Complete and Illustrated‘ – Translated by Ralph T. H. Griffith – (CreateSpace Independent Publishing Platform)

Websites:
Usha, vedic goddess of new beginnings – by Shardha Batra
– The Vedic Dawn: Goddess Usha – by Sri Aurobindo
Sri Aurobindo (Wikipedia)
Vedas (Wikipedia)

 

Suggestion:
Other articles from the same category ‘Shreds of Infinity

 

 

The Meeting

I come as an orphan to you, moist with love.
I come without refuge to you, giver of sacred rest.
I come a fallen man to you, uplifter of all.
I come undone by disease to you, the perfect physician.
I come, my heart dry with thirst, to you, ocean of sweet wine.
Do with me whatever you will
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~ Jagannātha (Ganga Lahari)

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FDB86CAA-FA77-4C31-8866-289AB1AC3D00enares – a strange and beautiful city, the most religious city of all, so entrancing, so mysterious. Pierre had often heard of this town, and now he was already treading its soil. Many people had advised him that it’s not a place to linger in. “You will be assailed by the rickshaws, the hoteliers, the merchants…”, said the tourist guides. So he was on his guard that morning, on leaving the station, and was preparing to fight hard with the hawkers and profiteers of all kinds. It was six o’clock in the morning and a beautiful day beckoned.

His anxiety was soon dispelled. Everything seemed strangely calm and serene. There wasn’t here this traditional turmoil of Indian cities, nor the famous dust that envelops every city with a gray and dirty halo. An incredible clarity illumined the landscape. Oh! Of course! One had to endure, as everywhere else in this country, the innumerable calls of the rickshaw drivers, or the greedy shopkeepers. Gazes were as intense as everywhere else in India, students as curious, children as mischievous, cows as nonchalant, dogs wandering everywhere. Everything was so marvelously the same as the rest of India, and yet Benares was not a place like any other.

A short story, that tells of an unexpected meeting (READ MORE…)

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Every Time I Open my Eyes

This poem from Rupert Spira appears at the end of the film ‘The Unknowable Reality of Things’. Produced and directed by Zaya & Maurizio Benazzo, this film is a poem, a meditation made of a series of chapters, each introducing a question like ‘What do we mean by ‘I’”, or “The pure intimacy of experience”. For each of them, Rupert Spira, sitting or standing in a beautiful forest environment, brings a clear answer. It is delivered over a succession of elegant and soothing views of nature, like a dance with shapes, colours, and textures, highly conducive to going within…

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Every time I open my eyes,
I invite the world to take shape.
And every time the world takes shape,
I’m invited to open my eyes.

Every time I open my eyes,
I invite the world to take shape.
And every time the world takes shape,
I’m invited to open my eyes
And see the world raw and naked,
Holding out its hand,
Calling me into itself,
Where I am taken into the transparency of thing
And find myself transparent there.
Standing on the edge, looking down and in
To the dark, silent pool in which the world is cradled.
And I am cradled there, held with all things
And hold all things in myself.
Myself, not a thing in the world,
But This, Here, Seeing,
In which the world opens,
Inviting and offering itself.
And every time it is seen, it dies.
And in dying, holds out its hand again
Asking to be taken in.
And every time I take it in,
I, too, die.
And in dying, am known,
As This, Here, Seeing.
Every time I open my eyes.

~ Rupert Spira

 

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This poem appears in the film ‘The Unknowable Reality of Things’

Painting from Claude Monet: ‘Cliff at Grainval’ (1887)

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Bibliography:
– ‘The Transparency of Things’ – by Rupert Spira – (New Harbinger Publications)
– DVD: ‘The Unknowable Reality of Things’ with Rupert Spira – (Neti Neti Media)

Websites:
– Rupert Spira
– Neti Neti Media

Suggestion:
Voices from Silence (other poems from the blog)

 

And There was Life…

I’d like to share a particular side in Krishnamurti’s writing: his exquisite descriptions of nature. You find them in ‘Krishnamurti’s Notebook’ and in the three series of ‘Commentaries on Living’. They usually start a chapter, and are an opening to his inner observations. They are a testimony to his looking at the world in a way that is always new and fresh, uncontaminated by thoughts, by the past. They are an exemple of a non-dual apprehension of life, of nature, and of the thousands happenings.

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Again, it has been a clear, sunny day, with long shadows and sparkling leaves; the mountains were serene, solid and close; the sky was of an extraordinary blue, spotless and gentle. Shadows filled the earth; it was a morning for shadows, the little ones and the big ones, the long, lean ones and the fat satisfied ones, the squat homely one and the joyful, spritely ones. The roof-tops of the farms and the chalets shone like polished marble, the new and the old. There seemed to be a great rejoicing and shouting among the trees and meadows; they existed for each other and above them was heaven, not the man-made, with its tortures and hopes. And there was life, vast, splendid, throbbing and stretching in all directions. It was life, always young and always dangerous; life that never stayed, that wandered through the earth, indifferent, never leaving a mark, never asking or calling for anything.”
~ J. Krishnamurti
(‘Krishnamurti’s Notebook’ – August 21st, 1961 – Gstaad, Switzerland)

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Then, far away, came dawn. In the east there was spreading light, so young and pale, so quiet and timid; it came past those distant hills and it touched the towering mountains and the peaks. In groups and singly, the trees stood still, the aspen began to wake up and the stream shouted with joy. That white wall of a farm-house, facing west, became very white. Slowly, peacefully, almost begging it came and filled the land. Then the snow peaks began to glow, bright rose and the noises of the early morning began. Three crows flew across the sky, silently, all in the same direction; from far came the sound of a bell on a cow and still there was quiet. Then a car was coming up the hill and day began.”
~ J. Krishnamurti
(‘Krishnamurti’s Notebook’ – August 31st, 1961 – Gstaad, Switzerland)

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There wasn’t a cloud in the sky as the sun went down behind the hills; the air was still and not a leaf moved. Everything seemed held tight, in the light of a cloudless sky. The reflection of the evening light on a little stretch of water by the roadside was full of ecstatic energy and a little wildflower, by the wayside, was all life. There is a hill that looks like one of those ancient and ageless temples; it was purple, darker than violet, intense and vastly unconcerned; it was alive with an inward light, without shadow, and every rock and bush was shouting with joy.”
~ J. Krishnamurti
(‘Krishnamurti’s Notebook’ – November 9th, 1961 – Rishi Valley, India)

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DFE5DEB5-6291-454D-8BDE-1A3A2DF98897Demand is born out of duality: ’I am unhappy and I must be happy’. In that very demand that I must be happy is unhappiness. When one makes an effort to be good, in that very goodness is evil. Everything affirmed contains its own opposite, and effort to overcome strengthens that against which it strives. When you demand an experience of truth or reality, that very demand is born out of your discontent with what is, and therefore the demand creates the opposite. And in the opposite there is what has been. So one must be free of this incessant demand, otherwise there will be no end to the corridor of duality. This means knowing yourself so completely that the mind is no longer seeking.”
~ J. Krishnamurti

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Head picture from Alain Joly

Bibliography:
– ‘Krishnamurti’s Notebook’ – by J. Krishnamurti – (Krishnamurti Publications of America,US)
– ‘Commentaries on Living, I, II & III’ – by J. Krishnamurti – (Quest Books,U.S.)

Websites:
J. krishsnamurti
Krishnamurti Foundation Trust

Suggestions:
Fleeing to God (other pointers from the blog)
A Day at Brockwood Park (Homage to J. Krishnamurti)

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The Truth Seeker

9DF6C27B-1BF6-4BED-949F-40F4B6360333long time ago, in India, lived a man named Admita. All his life had been spent in a harsh and hostile desert, surrounded by sand and dry, swirling winds. He led a life of wandering without help or hope on this desolate land. He had well heard of stories that described places of lush greenery and great beauty, where valleys, forests, meadows, rushing streams and great rivers were home for countless animals, where mountains stood above deep blue seas, where the sun was warm and friendly and the air ever filled with a cool and gentle breeze. He did not believe that such places really existed, but in front of so much loneliness, sorrow, and adversity, he could not help thinking about it and hoping to discover this wonderful land.

One day, one hot, scorching, blazing day, when winds were competing to torment the atmosphere, he thought that truly his last hour had come, for there was no hope of ending the killer storm. Suddenly, in the midst of swirling sand grains, he realised that he was standing right on the edge of a vast, profound precipice. He saw that there was a green carpet on the floor down below; he sniffed the air that was sweet and he could hear thousands of sounds, whispers, and cries of great beauty. “Surely,” he thought, “it must be that marvelous land that the stories mention.”

A short fairy story, a spiritual parable (READ MORE…)