At the Feet of the Rishis

The true prevails, not the untrue.”
~ Mundaka Upanishad, Hymn III.1.6

सत्यमेव जयते नानृतं

~

 

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In January 1950, in the wake of her freshly acquired independence, India adopted the motto that was to adorn the base of the Lion Capital of Ashoka, one simple phrase: “The true prevails, not the untrue.” How revealing that this country has put on her national emblem a mantra excerpted from the Mundaka Upanishad (Hymn III.1.6). This mantra is a profoundly significant spiritual message, and it will be inscribed on all Indian currency and official documents. The author is unknown, as is the case with all authors of the Upanishads, these ancient texts which Eknath Easwaran described as “towering peaks of consciousness”. The time has come here to pay tribute to these anonymous sages or rishis who produced these famous hallmarks of spirituality.

The Upanishads are a collection of hymns that have been, according to tradition, ‘seen’ or ‘heard’ (Shruti in Sanskrit, ‘that which is heard’), and transmitted orally. They ring in many a spiritual seekers’ memory with names like Isha, Kena, Katha, or Chandogya, and as a source of sacred knowledge. They were embedded in the Vedas – meaning ‘knowledge’ – which are old bodies of text formulated in Sanskrit between the 17th and 8th century BC in northwestern India. These Vedas are made of four collections of hymns – usually in verse – that form the basis of the Vedic religion, namely the Rg-Veda, the Yajurveda, the Samaveda, and the Atharvaveda. The community and domestic religious life in these ancient times revolved around complex ceremonies, which could easily last a day, a week, or sometimes even weeks or months. This vast literature is filled with cultic formulas, liturgical chants, mythological stories, praises to a God, magic hymns, commentaries, the purpose of which was most often to obtain favors from the Gods. The most important hymns were the ones to Agni, the fire in all its forms, to Soma, the drink of immortality and a special offering in any ritual act, to the Gods (Indra, Mitra, Varuna, and many others) or to nature (the Sun, the Earth, Heaven, Night, Dawn). They may also contain some early philosophical speculations.

What thing I am I do not know. 
I wander secluded, burdened by my mind. 
When the first-born of Truth has come to me 
I receive a share in that self-same Word
.”
~ Rig Veda, I.164.37

Discover and read the gems contained in the Upanishads… (READ MORE…)

 

Photo by Cornelia Kopp on Foter.com / CC BY-ND

Hymns to the Dawn

The Rig Veda is the oldest Indian text, a corpus of hymns that have been ‘seen’ by sages, or rishis – these ‘sacred poets’. They are hymns to Agni – the fire, to Soma – the drink of immortality, to the Gods and to nature (the Sun, the Earth, Heaven, Night, Dawn).

I have chosen to share here some hymns dedicated to Dawn. They are simple to understand, full of tender and beautiful imagery. They symbolize the eternal beginnings, the very ones that presided over the birth of the Vedas 3500 years ago. Dawn is the goddess Ushas, the beautiful maiden who infuses life with her beauty and qualities. Shardha Batra writes, “She is the pregnant silence at daybreak, which pulsates with a nebulous promise of fresh hope, dreams to be fulfilled, battles to be fought and conquered. Her gentle yet sure vibrations suffuse the most tired of souls with new potential.”

Also, the dawn symbolises the passage from darkness to light, and was bound to become this strong archetypal figure described by Sri Aurobindo: “Night in the Veda is the symbol of our obscure consciousness full of ignorance in knowledge and of stumblings in will and act, therefore of all evil, sin and suffering; light is the coming of the illuminated higher consciousness which leads to truth and happiness.”

 

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The stars were yielding reluctantly to dawn and there was that peculiar silent expectation when the sun is about to come; the hills were waiting and so were the trees and meadows open in their joy.”
~ J. Krishnamurti

 

Dawn on us with prosperity
O Ushas, Daughter of the Sky.
Dawn with great glory, Lady of the Light.
Dawn Thou with riches bounteous One.

~~

The radiant Dawns have risen up for glory,
in their white splendour like the waves of waters.
She maketh paths all easy, fair to travel, and, rich,
hath shown herself benign and friendly.

~~

The goddess Dawn has eternally shown before,
and the bounteous goddess shines here today.
So will she shine in future. The ageless and immortal Dawn
moves on according to her eternal laws.

~~

Shedding her light on human habitations
this Child of Heaven hath called us from our slumber;
She who at night-time with her argent lustre
hath shown herself e’en through the shades of darkness.

~~

Arise! the breath, the life, again hath reached us:
darkness hath passed away and light approacheth.
She for the Sun hath left a path to travel
we have arrived where men prolong existence.

~~

Singing the praises of refulgent Mornings
with his hymn’s web the priest, the poet rises.
Shine then to-day, rich Maid, on him who lauds thee,
shine down on us the gift of life and offspring.

 

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From Rig Veda (1. 92, 113, & 124) – Translation by Ralph T.H. Griffith

Picture by unknown artist ; Mandala by Elsebet Barner

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Bibliography:
– ‘The Rig Veda: Complete and Illustrated‘ – Translated by Ralph T. H. Griffith – (CreateSpace Independent Publishing Platform)

Websites:
Usha, vedic goddess of new beginnings – by Shardha Batra
– The Vedic Dawn: Goddess Usha – by Sri Aurobindo
Sri Aurobindo (Wikipedia)
Vedas (Wikipedia)

 

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