Harp of the Spirit

Fresco of Ephrem the Syrian, 14th AD (part) – Protaton Church,  Mt Athos – Wikimedia

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If you go for its gems, you will find the Christian tradition to be unbelievably rich of the highest wisdom. The work of Ephrem the Syrian is one such gem. He was a prominent Christian theologian and hymnographer born in 303 AD, expressing himself in the Classical Syriac language of early Christianity, in the eastern part of modern-day Turkey. But he was also known for his outstanding poetry, which he used as a vehicle for theologian purposes. Over four hundred of his hymns have come down to us, and many more got lost along the way, that have earned him the title of ‘Harp of the Holy Spirit’. It is said that his poetic descriptions of the Last Judgment influenced Dante Alighieri in some sections of the Divine Comedy. There is no doubt that he had a passion to put his long years of studying and reading into the fire of experience, as can be felt in this eloquent verse:

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On a certain day a pearl did I take up, my brethren;
I saw in it mysteries pertaining to the Kingdom;
Semblances and types of the Majesty;
It became a fountain, and I drank out of it mysteries of the Son
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~ The Pearl, Seven Hymns on the Faith (1:1)

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Ephrem the Syrian is said to have been baptised as a young man, and to have been a deacon, with a more limited liturgical role than a priest, and a duty centred on service. He had a great knowledge of the Scriptures and was devoted to his mission as a teacher. He made theology accessible through his poetry, and is recognised as one of the first to introduce songs into the Church’s public worship. He was eager to transmit his passion and devotion in whatever way was possible to him.

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In its brightness I beheld the Bright One Who cannot be clouded,
And in its pureness a great mystery,
Even the Body of Our Lord which is well-refined:
In its undivideness I saw the Truth
Which is undivided.”
~ The Pearl, Seven Hymns on the Faith (1:1)

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There is no doubt that he was an influential man, being honoured with titles like the ‘Sun of the Syrians’, or the ‘Column of the Church’. He lived a simple, ascetic life, embracing the ideals of poverty and celibacy. During the last decade of his life, he moved to Edessa, and stayed there in a small cave overlooking the city, devoting his time to his writings. In Hymns on Faith (VIII.9), he stressed that “the intellect was not intended to pry into hidden things”, emphasising the fact that our deepest identity as being cannot be understood conceptually, through the mind, but is a living, subjective reality. In his Hymns on Paradise, he described this with these exquisite words:

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Your nature is far too weak
to be able
to attain to its greatness,
and its beauties are much diminished
by being depicted in the pale colors
with which you are familiar.”
~ Hymn on Paradise, XI:7

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Discover the hymns of ancient theologian Ephrem the Syrian… (READ MORE…)

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Hymns to the Dawn

The Rig Veda is the oldest Indian text, a corpus of hymns that have been ‘seen’ by sages, or rishis – these ‘sacred poets’. They are hymns to Agni – the fire, to Soma – the drink of immortality, to the Gods and to nature (the Sun, the Earth, Heaven, Night, Dawn).

I have chosen to share here some hymns dedicated to Dawn. They are simple to understand, full of tender and beautiful imagery. They symbolize the eternal beginnings, the very ones that presided over the birth of the Vedas 3500 years ago. Dawn is the goddess Ushas, the beautiful maiden who infuses life with her beauty and qualities. Shardha Batra writes, “She is the pregnant silence at daybreak, which pulsates with a nebulous promise of fresh hope, dreams to be fulfilled, battles to be fought and conquered. Her gentle yet sure vibrations suffuse the most tired of souls with new potential.”

Also, the dawn symbolises the passage from darkness to light, and was bound to become this strong archetypal figure described by Sri Aurobindo: “Night in the Veda is the symbol of our obscure consciousness full of ignorance in knowledge and of stumblings in will and act, therefore of all evil, sin and suffering; light is the coming of the illuminated higher consciousness which leads to truth and happiness.”

 

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The stars were yielding reluctantly to dawn and there was that peculiar silent expectation when the sun is about to come; the hills were waiting and so were the trees and meadows open in their joy.”
~ J. Krishnamurti

 

Dawn on us with prosperity
O Ushas, Daughter of the Sky.
Dawn with great glory, Lady of the Light.
Dawn Thou with riches bounteous One.

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The radiant Dawns have risen up for glory,
in their white splendour like the waves of waters.
She maketh paths all easy, fair to travel, and, rich,
hath shown herself benign and friendly.

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The goddess Dawn has eternally shown before,
and the bounteous goddess shines here today.
So will she shine in future. The ageless and immortal Dawn
moves on according to her eternal laws.

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Shedding her light on human habitations
this Child of Heaven hath called us from our slumber;
She who at night-time with her argent lustre
hath shown herself e’en through the shades of darkness.

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Arise! the breath, the life, again hath reached us:
darkness hath passed away and light approacheth.
She for the Sun hath left a path to travel
we have arrived where men prolong existence.

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Singing the praises of refulgent Mornings
with his hymn’s web the priest, the poet rises.
Shine then to-day, rich Maid, on him who lauds thee,
shine down on us the gift of life and offspring.

 

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From Rig Veda (1. 92, 113, & 124) – Translation by Ralph T.H. Griffith

Picture by unknown artist ; Mandala by Elsebet Barner

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Bibliography:
– ‘The Rig Veda: Complete and Illustrated‘ – Translated by Ralph T. H. Griffith – (CreateSpace Independent Publishing Platform)

Websites:
Usha, vedic goddess of new beginnings – by Shardha Batra
– The Vedic Dawn: Goddess Usha – by Sri Aurobindo
Sri Aurobindo (Wikipedia)
Vedas (Wikipedia)

 

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